Untitled Enemies: The Problem of Sculpture in Britain in the 1960s and 70s
Henry Moore Institute
United Enemies looks at sculpture made by over 50 artists during the 1960s and 1970s - a time when the very idea and definition of sculpture was radically contested. The exhibition this catalogue accompanies explores this highly fertile and experimental period to reconsider the differences, arguments and shared ideas that defined this distinctive period in British sculpture. Featuring work by a wide range of artists - including Keith Arnatt, Clive Barker, Shirley Cameron, Anthony Caro, Angela Carter, Brian Catling, Helen Chadwick, Tony Cragg, Richard Long, David Dye, Barry Flanagan, Gilbert and George, Bruce Lacey, Liliane Lijn, Roelof Louw, Leonard McComb, Bruce McLean, Paul Neagu, Carl Plackman, Wendy Taylor, and Bill Woodrow.
Henry Moore Institute
English
2011
Paperback
21 x 22 cm
84 pages
£50
Enquire
Henry Moore Institute
United Enemies looks at sculpture made by over 50 artists during the 1960s and 1970s - a time when the very idea and definition of sculpture was radically contested. The exhibition this catalogue accompanies explores this highly fertile and experimental period to reconsider the differences, arguments and shared ideas that defined this distinctive period in British sculpture. Featuring work by a wide range of artists - including Keith Arnatt, Clive Barker, Shirley Cameron, Anthony Caro, Angela Carter, Brian Catling, Helen Chadwick, Tony Cragg, Richard Long, David Dye, Barry Flanagan, Gilbert and George, Bruce Lacey, Liliane Lijn, Roelof Louw, Leonard McComb, Bruce McLean, Paul Neagu, Carl Plackman, Wendy Taylor, and Bill Woodrow.
Henry Moore Institute
English
2011
Paperback
21 x 22 cm
84 pages
£50
Enquire