photo and video by Rosie Reed Gold
Sand in the vaseline: 21 century process art | Sculpture Journal v31.2
23 June 2022—
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A conversation between Alice Channer, Alison Wilding and Nicolas Deshayes, chaired by Penelope Curtis.
On the occasion of the launch of Sculpture Journal v31.2, celebrating the first Artist-edited feature by Alice Channer with Alisa Baremboym, Nicolas Deshayes, K. R. M. Mooney, Tania Pérez Córdova and Alison Wilding.
Sculpture Journal’s new regular section presents the voice of practising artists in the widening field of sculpture.
‘There is a politics to what gets recognised as sculpture. For artists who insist on the vulnerability of their forms, who show us objects still entangled with their production processes, the stakes are high. I want to sink down into the deep surfaces that processes leave on, and in, objects.’ Alice Channer
Sculpture Journal is published by Liverpool University Press.
On the occasion of the launch of Sculpture Journal v31.2, celebrating the first Artist-edited feature by Alice Channer with Alisa Baremboym, Nicolas Deshayes, K. R. M. Mooney, Tania Pérez Córdova and Alison Wilding.
Sculpture Journal’s new regular section presents the voice of practising artists in the widening field of sculpture.
‘There is a politics to what gets recognised as sculpture. For artists who insist on the vulnerability of their forms, who show us objects still entangled with their production processes, the stakes are high. I want to sink down into the deep surfaces that processes leave on, and in, objects.’ Alice Channer
Sculpture Journal is published by Liverpool University Press.