Left to right: Emma McNally, Susan Morris, Michael Newman and Toby Christian. Photo: Emma Boittiaux

In conversation:
Michael Newman, Toby Christian, Emma McNally and Susan Morris 

6 June 2024 

listen to the conversation here
A conversation between Michael Newman, curator of After Mallarmé and participating artists Toby Christian, Emma McNally and Susan Morris.

The conversation took place in Part 2 of the exhibition ‘After Mallarmé, ...contingency, the operator…’. They were discussing contingency and chance, within each of their practices and how the work of art becomes an 'operation'.

Michael Newman is Professor of Art Writing in the Art Department at Goldsmiths, University of London.



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Left to right: Gerry Johansson (photo by Guido Guidi),
Guido Guidi (photo by Gerry Johansson),
Mark Ruwedel (photo by Mark Ruwedel).

In conversation:
Gerry Johansson, Guido Guidi and Mark Ruwedel

26 October 2023 

watch and listen to the conversation here
passcode: 4DGt%?AM
A conversation between Gerry Johansson, Guido Guidi and Mark Ruwedel, moderated by art historian Andrea Mattiello.

The conversation accompanies the exhibition ‘Stepping Stones: Three Photographic Journeys’, co-curated by Jean-Paul Deridder, on display at Large Glass until 10 November.

‘Stepping Stones’ comprises three series of work by each of the artists: Motel Prints (1983), realised by Gerry Johansson during his coast-to-coast trip from Los Angeles to New York; Guido Guidi’s In Sardegna (1974), a body of work from his travels around the island of Sardinia, taken on his honeymoon; and Mark Ruwedel’s Ice Age series (1995-2003), which he describes as ‘a study of human activity in the context of the Pleistocene lakes’.

Andrea Mattiello holds a PhD on Byzantine Art History from University of Birmingham, and a PhD in History and Theory of Performance Art from the School for Advanced Studies in Venice. He has published and lectured on Medieval, Modern and Contemporary Art, Photography and Architecture, queer art in Antiquity, female agency in Byzantium, and Greek-Italian Humanism. He currently lectures for the Courtauld, NABA Milan and Oxford University.

This conversation took place online.



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Guido Guidi and Veronica Lanconelli. Photo: Nicola Baldazzi

Guido Guidi: Di sguincio, 1969-81 book launch

23 February 2023

Launch of Guido Guidi's new book ‘Di sguincio, 1969-81’, published by MACK, and coinciding with Guidi’s exhibition at the gallery.

Guidi joined by video link.

This 144-page book brings together more than one hundred black-and-white photographs made by Guido Guidi with small-format cameras between 1969 and 1981. It follows previous collaborations between Guidi and MACK, reflecting the artist's consistent and life-long engagement with bookmaking.

“With ‘Di sguincio’, we discover a set of anti-documents or anachronistic records – stamped, annotated, and sometimes artificially aged – which comment wryly on photography’s claims to truth and reveal the foundations of a lifelong engagement with the possibilities of the medium.”



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Left: Emma McNally ‘Choral Fields’ (detail) 2018. Right: Vanessa Billy ‘Whiplash’ (detail) 2021

Emma McNally & Vanessa Billy in conversation

11 January 2023

watch and listen to the conversation here
passcode: P8.a=k0w
A conversation between Emma McNally and Vanessa Billy, talking about their work within the current exhibition ‘Time Spirals’ at Large Glass.

“My art practice grows out of an interest in the materiality of the world, which I see not as detached from us humans but as constitutive of our bodies.” Vanessa Billy

“Drawing is a rhythmic practice and graphite is an ideal medium for rhythmic thinking. Graphite is materially slippery. It is made of thin layers that are shed as you draw.” Emma McNally

Emma will be present in the gallery, in conversation with Vanessa on screen. 



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photo and video by Rosie Reed Gold

Sand in the vaseline: 21 century process art | Sculpture Journal v31.2

23 June 2022

watch video here
order Sculpture Journal here
A conversation between Alice Channer, Alison Wilding and Nicolas Deshayes, chaired by Penelope Curtis.

On the occasion of the launch of Sculpture Journal v31.2, celebrating the first Artist-edited feature by Alice Channer with Alisa Baremboym, Nicolas Deshayes, K. R. M. Mooney, Tania Pérez Córdova and Alison Wilding.

Sculpture Journal’s new regular section presents the voice of practising artists in the widening field of sculpture.

‘There is a politics to what gets recognised as sculpture. For artists who insist on the vulnerability of their forms, who show us objects still entangled with their production processes, the stakes are high. I want to sink down into the deep surfaces that processes leave on, and in, objects.’ Alice Channer

Sculpture Journal is published by Liverpool University Press.




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